Editorials
The Complete Timeline of the ‘Child’s Play’ Franchise
The Child’s Play franchise is an unusual and wonderful creature. In its run, it has boasted directing work from Fright Night’s Tom Holland, Lost’s Jack Bender, and Freddy vs. Jason’s Ronny Yu. It brought us familiar faces like Chris Sarandon, Grace Zabriskie, Jennifer Tilly, John Ritter, and Katherine Heigl.
But there are two names that have identified the series throughout its run: writer (and frequent director) Don Mancini and Brad Dourif, the voice of Chucky. As of the release of the forthcoming seventh film here in 2017, the franchise will have stretched over 29 years while still retaining the same lead performer and writer, a feat unmatched in any other slasher franchise.
Because of that, the series retains not only character continuity, but narrative continuity as well. The series paid attention to the little details, and it never rebooted or ret-conned anything out; for better or worse, everything that happened in the Child’s Play franchise STAYED in the Child’s Play franchise.
In celebration of the release of the Cult of Chucky trailer and in anticipation of the release of the film in October, this is a breakdown of the events of the entire Child’s Play franchise. Because some of the films reveal information from previous films or from before the series started, this compiles all the events into chronological order.
Naturally, THERE ARE SPOILERS THROUGHOUT.
UNIDENTIFIED TIME, PRE-1988: CHICAGO, ILLINOIS…
Charles Lee Ray goes to John Bishop, aka Dr. Death, to learn how to be a voodoo practitioner. Charles also somehow manages to get his hands on an amulet called the Heart of Damballa. Eventually, though, Bishop realizes that Charles is only interested in finding a way to cheat death.
During this same time, Charles also becomes known as the Lakeshore Strangler for killing a dozen people, including Vivian Van Pelt, and for committing robberies with his partner Eddie Caputo.
OCTOBER 1988: CHICAGO, ILLINOIS…
Charles becomes friends with the Pierce family: mother Sarah, her husband, her daughter Barb, and her unborn child, Nica. Ray is obsessed with Sarah, eventually murdering her husband in an attempt to get closer to her.
NOVEMBER 1988: CHICAGO, ILLINOIS…
Ray kidnaps Sarah, but she manages to call the police on him. In punishment for betraying him, Ray stabs her in the stomach – not to kill her, but to try and kill her baby, Nica. As Ray tries to escape the police, he flees into a toy store where he is shot and fatally wounded. While lying behind a row of Good Guy dolls, Ray remembers his voodoo teachings and uses the Heart of Damballa to transfer his soul into one of the dolls. The ceremony causes the store to be struck by lightning and explode. Detective Mike Norris finds Ray’s body and thinks he is dead.
The next day, single mother Karen Barclay buys a Good Guy doll (now called Chucky) from a guy on the street and gives it to her son, Andy. Of course, it’s actually Ray, who kills the babysitter. Norris is the detective who investigates the murder. After another person Andy visits ends up dead (this time, it’s John Bishop, Ray’s old voodoo teacher), Andy is put in a psych ward for observation. Meanwhile, Ray learns from Bishop before he dies that he has to transfer his soul into the first person he revealed his true nature to: Andy.
Chucky kills the therapist, then chases Andy back home, where he knocks him out and prepares to swap souls.. but Detective Norris and Karen arrive just in time to stop him. They throw him in the fireplace, then shoot him through the heart. The three of them escape, leaving the charred remains of Chucky behind.
NOVEMBER 1990: CHICAGO, ILLINOIS…
Two years later, the sales of Good Guy dolls have suffered as a result of the coverage of the killings. CEO Chris Sullivan of Play Pals (the company that makes Good Guy dolls) orders the old Chucky doll remade so it can be inspected and proven harmless. But when a man dies of electrocution during the rendering process, the CEO tells an employee to get rid of the doll. The employee puts Chucky in his car, then is tied up and suffocated by Chucky, who uses his car phone to locate Andy.
Andy is in foster care now with parents Phil and Joanna and foster sister Kyle. Chucky makes his way to their house, getting rid of the house doll and putting himself in its place. He tries to start the ritual on Andy, but is thwarted by Kyle’s presence, so he follows Andy to school the next day for another chance. He gets Andy in trouble with the teacher, then later ends up killing the teacher himself.
Phil is killed by Chucky, but Joanne believes it is Andy’s fault, and sends him back to the foster center. Meanwhile, Kyle finds the discarded old house doll and realizes Andy is actually in danger. Upon investigating the house, she finds Joanne dead, and Chucky captures her and tells her to take him to the foster center to get Andy. Chucky kills the foster center manager and tells Andy to take him to the Good Guy factory for the soul transfer. Kyle follows, trying to stop the ceremony. She is too late, and the ceremony is complete; but it doesn’t work because he has been a doll for too long. Now he’s trapped in the body.
Chucky gets mad and tries to kill Andy and Kyle, replacing a lost hand with a knife, but Kyle and Andy use molten plastic and an air hose, exploding him to pieces. They leave the factory with Chucky supposedly dead.
1998…
In Chicago, Play Pals opens their factory back up after eight years, figuring the bad publicity is over. They start manufacturing the Good Guy doll again, and once again they bring Ray back to life as Chucky. Chucky tortures and kills CEO Chris Sullivan, using his office computer to find Andy’s whereabouts.
Meanwhile, Andy is 16 and attending Kent Military Academy. Chucky mails himself to the school, then discovers that he doesn’t need Andy anymore; he can use a new kid, Tyler. However, Andy discovers Chucky is there, and continues to thwart Chucky’s plans, so Chucky tries to kill him. Chucky scares the Colonel to death and kills several others, then switches the blanks out for real bullets during their war games.
Chaos ensues, and Chucky tries to attack Tyler, who escapes the grounds to a nearby carnival. Tyler and Andy team up to defeat Chucky, whose face is scarred and whose limbs are chopped off in the process. Andy and Tyler are safe, and Chucky seems defeated once again.
ONE MONTH LATER, STILL IN 1998…
Tiffany, Charles Lee Ray’s old girlfriend and accomplice, gets her hands on Chucky’s leftover parts and enacts a ritual to bring him back from the dead. He comes back in Chucky form, and she is happy to have him back and wants to marry him due to a confusion about a ring Ray left behind after killing Vivian Van Pelt, which she thought was an engagement ring. He laughs at her mistake, she punishes him, and he ends up killing her and then reviving her as a doll for revenge.
Chucky still wants back in a human body, however, so he decides to take a road trip to New Jersey where his body was buried and get the Heart of Damballa back. They pack themselves up and Tiffany pays neighbor girl Jade to take them there. Jade is avoiding her domineering uncle, and Chucky and Tiffany leave a trail of bodies along the way. Tiffany and Chucky even reignite their relationship and have sex at a wedding chapel hotel. Eventually they reveal themselves to Jade and her boyfriend, holding them hostage, then arrive at the scene of the body.
Digging up Ray’s body, they find the amulet and begin the ceremony. Tiffany has a last-minute change of heart, stabbing Chucky to stop him from transferring their souls into Jade and her boyfriend, and the two of them fight until Chucky deals Tiffany a fatal blow. Jade takes the gun from a police officer and shoots Chucky several times, killing him.
The next morning, the officer is looking at the crime scene and pokes at Tiffany’s body to make sure she is dead. She wakes and screams, then gives birth to some monstrous-looking creature and finally dies. The creature attacks the officer.
2005…
Six years later, we see Glen (or Glenda), the child of Tiffany and Chucky, trapped in a sideshow in the UK and pretending to be a ventriloquist dummy. He dreams of meeting his real parents.
Across the world, in Hollywood, Chucky and Tiffany are lifeless animatronic puppets being used in a film shoot called Chucky Goes Psycho, based on the Charles Lee Ray legend. Glen sees them on TV, believes they’re his parents, and heads to Hollywood. He revives them with the voodoo amulet.
Tiffany and Chucky immediately start looking for bodies to possess, and Tiffany decides on Jennifer Tilly, star of the Chucky movie. But she wants Tilly to have babies for her first, so she knocks Tilly and her lover (Redman, playing himself) unconscious and inseminates Tilly with Chucky’s seed.
A handful of deaths later (including Britney Spears), Tilly is pregnant and ready to give birth, but Tiffany and Chucky are having relationship troubles regarding how to raise Glen/da, who has dual personalities. Tilly gives birth to twins Glen and Glenda, and Tiffany is ready to possess her, but Chucky decides he’s not interested in becoming a person again. They fight, with Tiffany trying to possess Tilly, but Chucky kills her. This enrages Glen/da, who kills Chucky with some assistance from Tilly.
2010…
Tilly is throwing a birthday party for her son Glen. She murders her nanny, and her glowing green eyes reveal that Tiffany DID finish the ritual and has taken over Tilly. Glen opens his last birthday present to find Chucky’ s severed arm inside. It reaches up and grabs his throat, starting to choke him.
2013
Sarah Pierce is living with her daughter Nica in a big, empty house. A package is delivered there, and a Chucky doll is contained inside. Later that night, screams awaken Nica, and she finds her mother’s body, apparently having fallen from the balcony.
Nica’s sister, Barb, comes to the house with her nanny, her husband Ian, their daughter Jill, and a minister. Barb is there to convince Nica to go to a care home since Sarah isn’t alive to care for her anymore. Throughout the night, they discuss the issue, with the group staying for dinner and Barb’s family deciding to stay the night.
Chucky poisons the chili which kills the minister on his drive home. The family watches home movies, and Nica notices a mysterious man watching the family in the background. She asks Barb who it is, but she doesn’t know. While the rest of the family heads to bed, it is revealed that Barb is having an affair with the nanny. Nica does some research about the creepy doll in the house, since it keeps popping up in strange places.
She discovers all the killings connected to the doll (with references to each of the killings from the previous films), and tries to warn Barb, but Barb wants to find the doll because Ian hid a camera on it to catch her cheating on him. She finds Chucky, then notices some make-up on his face. She peels it away to reveal all the scars and cracks from Chucky, confirming he is the real Chucky.
Chucky kills her, attacks Nica, kills Ian, and tries to find Alice, who is gone. Chucky throws Nica off the balcony, and while she lays helpless on the floor, he tells her who he is and how it was him who stabbed Sarah in the belly and damaged Nica… and he was the one who killed Sarah by stabbing her.
Nica fights with Chucky, and just as she almost has him beaten, a police officer shows up. He sees the scene and Nica with a knife.
STILL 2013?
Nica is found guilty of the murders and is sentenced to a hospital for the criminally insane. The cop steals the remains of Chucky from evidence and takes them to his car, only to find that it’s still breathing. Before he can do anything, however, Tiffany/Tilly pops up from the back seat and slashes his throat, then takes Chucky with her.
Tiffany/Tilly mails Chucky out in a box again, and he arrives at Alice’s grandmother’s house. Chucky grabs Alice and begins the incantation as the grandmother pops up from the floor with a bag over her face, still alive.
2014 (probably)…
Grown-up Andy Barclay is on the phone with his mother, talking about coming to see her for his birthday. In the background, a knife pokes up out of a package he received in the mail. Chucky bursts forth from the package to find Andy waiting for him, shotgun pointed at his face. Chucky shouts Andy’s name, and Andy shoots.
2017
Nica is still in a psychiatric facility, working with a therapist who is trying to convince her that Chucky was just part of her imagination. Andy is still alive and still not over the events of his childhood. Chucky is back and ready for killing at the institute, and Tiffany/Tilly is apparently still around…
Is Tiffany/Tilly still helping Chucky? Do Andy and Nica meet? Is there more shared history we don’t know about? How does it all end?
Find out in Cult of Chucky, releasing October 3, 2017!
Expectations can run high whenever a buzzworthy filmmaker makes the leap from indie to mainstream. And Radio Silence — Matt Bettinelli-Olpin, Tyler Gillett, Chad Villella and former member Justin Martinez — certainly had a lot to live up to after V/H/S. This production collective’s rousing contribution to the 2012 anthology film not only impressed audiences and critics, the same segment also caught the attention of 20th Century. This led to the studio recruiting the rising talent for a hush-hush found-footage project later titled Devil’s Due.
However, as soon as Radio Silence’s anticipated first film was released into the wild, the reactions were mostly negative. Devil’s Due was dismissed as a Rosemary’s Baby rehash but dressed in different clothes; almost all initial reviews were sure to make — as well as dwell on — that comparison. Of course, significant changes were made to Lindsay Devlin’s pre-existing script; directors Bettinelli-Olpin and Gillett offered up more energy and action than what was originally found in the source material, which they called a “creepy mood piece.” Nevertheless, too many folks focused on the surface similarities to the 1968 pregnancy-horror classic and ignored much of everything else.
Almost exactly two years before Devil’s Due hit theaters in January of 2014, The Devil Inside came out. The divisive POV technique was already in the early stages of disappearing from the big screen and William Brent Bell’s film essentially sped up the process. And although The Devil Inside was a massive hit at the box office, it ended up doing more harm than good for the entire found-footage genre. Perhaps worse for Radio Silence’s debut was the strange timing of Devil’s Due; the better-received Paranormal Activity: The Marked Ones was released earlier that same month. Despite only a superficial resemblance, the newer film might have come across as redundant and negligible to wary audiences.
Image: Allison Miller in Devil’s Due.
The trailers for Devil’s Due spelled everything out quite clearly: a couple unknowingly conceives a diabolical child, and before that momentous birth, the mother experiences horrifying symptoms. There is an unshakable sense of been-there-done-that to the film’s basic pitch, however, Bettinelli-Olpin and Gillett knew that from the beginning. To compensate for the lack of novelty, they focused on the execution. There was no point in hiding the obvious — in the original script, the revelation of a demonic pregnancy was delayed — and the film instead gives the game away early on. This proved to be a benefit, seeing as the directors could now play around with the characters’ unholy situation sooner and without being tied down by the act of surprise.
At the time, it made sense for Radio Silence’s first long feature to be shot in the same style that got them noticed in the first place, even if this kind of story does not require it. Still and all, the first-person slant makes Devil’s Due stand out. The urgency and terror of these expectant parents’ ordeal is more considerable now with a dose of verisimilitude in the presentation. The faux realism makes the wilder events of the film — namely those times the evil fetus fears its vessel is in danger — more effective as well. Obviously the set-pieces, such as Samantha pulling a Carrie White on three unlucky teens, are the work of movie magic, but these scenes hit harder after watching tedious but convincing stretches of ordinariness. Radio Silence found a solid balance between the normal and abnormal.
Another facet overlooked upon the film’s initial release was its performances. Booking legitimate actors is not always an option for found-footage auteurs, yet Devil’s Due was a big-studio production with resources. Putting trained actors in the roles of Samantha and Zach McCall, respectively Allison Miller and Zach Gilford, was desirable when needing the audience to care about these first-time parents. The leads managed to make their cursory characters both likable and vulnerable. Miller was particularly able to tap into Samantha’s distress and make it feel real, regardless of the supernatural origin. And with Gilford’s character stuck behind the camera for most of the time, the film often relied on Miller to deliver the story’s emotional element.
Image: Allison Miller in Devil’s Due.
Back then, Radio Silence went from making viral web clips to a full-length theatrical feature in a relatively short amount of time. The outcome very much reflected that tricky transition. Bettinelli-Olpin and Gillett indeed knew how to create these attention-grabbing scenes — mainly using practical effects — but they were still learning their way around a continuous narrative. The technical limitations of found footage hindered the story from time to time, such as this routine need to keep the camera on the main characters (or see things from their perspective) as opposed to cutting away to a subplot. There is also no explanation of who exactly compiled all this random footage into a film. Then again, that is an example of how the filmmakers strove for entertainment as opposed to maintaining every tradition of found footage. In the end, the directors drew from a place of comfort and familiarity as they, more or less, used 10/31/98 as the blueprint for Devil’s Due’s chaotic conclusion. That is not to say the film’s ending does not supply a satisfying jolt or two, but surely there were hopes for something different and atypical.
Like other big film studios at that time, 20th Century wanted a piece of the found-footage pie. What distinguished their endeavor from those of their peers, though, was the surprising hiring of Radio Silence. Needless to say, the gamble did not totally pay off, yet putting the right guys in charge was a bold decision. Radio Silence’s wings were not completely clipped here, and in spite of how things turned out, there are flashes of creativity in Bettinelli-Olpin and Gillett’s unconventional approach to such a conventional concept.
Radio Silence has since bounced back after a shaky start; they participated in another anthology, Southbound, before making another go at commercial horror. The second time, as everyone knows, was far more fruitful. In hindsight, Devil’s Due is regarded as a hiccup in this collective’s body of work, and it is usually brought up to help emphasize their newfound success. Even so, this early film of theirs is not all bad or deserving of its unmentionable status. With some distance between then and now, plus a forgiving attitude, Devil’s Due can be seen as a fun, if not flawed first exposure to the abilities of Radio Silence. And, hopefully, somewhere down the line they can revisit the found-footage format.
Image: Allison Miller and Zach Gilford in Devil’s Due.
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